Programme

Time  & Language

Paper

Presenter

University

9h

Accueil café / Coffee Greeting

9h15-9h35

(Eng.)

Robert Louis Stevenson and Karfagen: Linguistic Opportunism or Thematic and Musical Legitimacy?

Fabien Desset

Limoges (FR)

9h35-9h55

(Eng.)

PJ Harvey's lyrical lyrics: the incantatory mode of Let England Shake

Sina Schuhmaier

Mannheim (DE)

9h55-10h15

(Eng.)

Higgs Boson Blues" & "Be My Baby": Pop Songs as Mimodramas,Lyrical Theater and Literary Ritual

Christophe Lebold

Strasbourg (FR)

10h15-10h30

Discussion

10h30-11h

Pause-café / Coffee break

11h10-11h30

(Fr.)

Les figures de la pop musique dans la fiction romanesque

The Figures of Pop Music in Novelistic Fiction

Buata Malela

Mayotte (FR)

11h30-11h50

(Eng.)

“You Think This is Easy? Realism?”: How Bowie extends Romanticism

Bernhard Jackson

Exeter (GB)

11h50-12h10

Discussion

12h15 – 14h

Pause déjeuner/ Lunch Break in ROOM R112

14h00-14h20

(Fr.)

Le lo-fi poétique et ornithologique de Bill Callahan/

The poetic and ornithological lo-fi of Bill Callahan

Grégoire Tosser

Evry (FR)

14h20-14h40

(Eng.)

Letter to You: Character, Masking, and Fixing the Narrative in the Work of Bruce Springsteen  

Marian Jago

(remote)

Edinburgh (GB)

14h40-15h

Discussion

15h-14h20

(Eng.)

Rimbaud's influence on 20th century musical counterculture

Asa Williams

East Anglia (GB)

15h20-15h40

Metal chinois et poésie chinoise

Chinese Heavy Metal and Chinese Poetry

William Spok

(remote)

Nice (FR)

15h40-15h55

Discussion

15h55-16h15

Pause-café / Coffee break

16h15-17h30

(Eng.)

Chamber pop Music: Performance and Q&A

Gareth Williams

Edinburgh (GB)